diary

select this if you are writing a personal entry , for example, "Great Crowd Tonight!"

Full list of DVD retailers

These retailers are stocking the GSH DVD, I am told more will be added.

Most of them are taking pre-orders

DeepDiscounts.com - so far the cheapest price (16.97) and free US shipping

GoHastings.com

BarnesandNoble.com

Amazon.com -pretty much worldwide shipping

Scarecrow Video

Newbury Comics

Diabolikdvd.com

TLAvideo.com

CDuniverse.com

ToetagPictures.com

DVDpacific.com

DVD availabe for pre-order

Finally, the Graphic Sexual Horror DVD is available!

On Toetag Pictures and Amazon!

Graphic Sexual Horror DVD availabe for pre-orderGraphic Sexual Horror DVD availabe for pre-order

If you want to go with an independent company that probably won't stop
selling the dvd because it DOES contain scenes of graphic sexual
horror, try TOETAG pictures

http://www.toetagpictures.com/webstore/index.php?main_page=product_info&...

Also available at Amazon. Yes, Amazon, that stopped the digital download due to "explicit issues". Somehow the hard copy was accepted (it has not been censored, feature is same edit as the download). If you are interested, keep in mind that the download was only available for 4 days. Order your copy early. Pre-order until August 10th, which probably means no customer complaints before then.

http://www.amazon.com/Graphic-Sexual-Horror-Special-Ackworth/dp/B003PNKM...

This special edition includes: Deleted Scenes. More From The Models, Unused Interview Segments. Interview with Co-Director Barbara Bell. Theatrical Trailer.

Graphic Sexual Horror is on Netflix

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graphic sexual horror on netflixgraphic sexual horror on netflix

Graphic Sexual Horror is on Netflix, and the more people add it to their list, the sooner it will actually be available for rent!

Please click here to go to Netflix add our film to your list.

 

 

October 24th, 2009: Bergen International Film Festival

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Bergen Film Festival presspress

With a population of 385,450, it is pretty amazing that the beautiful town of Bergen, Norway, can put on such an impressive festival of 140 films.

One sensationalist evening paper had 3 full pages with pictures from the film, in color, "festival shock film", all neatly presented by the festival upon arriving.

The festival has its 10th year anniversary, and founder Tor Fosse was kind enough to take us out for lunch as we arrived, having the first journalist come to the restaurant.

There were three interviews lined up, running back and forth between the hotel and cinema to catch parts of films inbetween. The largest daily paper managed to trick me with their question of what age restriction I thought was suitable for the film. I always considered GSH to be 18+ (could be an effect of my 15 years in the US, there are certainly scarier images every day on the news). Here in Norway, the festival tickets are allowed for everybody over 15, and the festival did not see it necessary to put a higher age limit on it. But, I did also say that if the festival thinks 15 is ok, they are the ones that are used to Norwegian standards. It is very nice to be back in a Scandinavian country. Here at least the papers are trying to make a scandal of the film, when in the US no regular paper would touch it. At least it will probably mean that the the remaining tickets will be bought by 15 year olds.

The one film I managed to see all of was "Shooting Robert King", strongly recommended. It tells the story of war photograper King over 15 years, from his first attempts to get into the industri in Sarajevo. It is very rare that you see the baby steps of what will become one of the greatest in the field.

At night, the mayor hosted a dinner for the filmmakers. Delicious sea food and lovely company.

We want to thank Tor Fosse and all the other organizers and volunteers for making a film festival that is so important for Scandinavia and all of Europe also an extremely smooth and pleasurable one to be a part of.

audienceaudience audienceaudience "He did get kicked in the balls once!""He did get kicked in the balls once!" "It was all giggles and kittens working on it""It was all giggles and kittens working on it" "Why, hello!";"Why, hello!"; Flying into BergenFlying into Bergen No, no one got hurt....No, no one got hurt.... Bright Lights, Big MovieBright Lights, Big Movie

 

 

May 7 2nd day of Hot Docs

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Busy day. We were on a panel in the morning, NFB Coffee Talks: Boys to Men & Sex, Love & Video Tapes.
Hubert Davis, INVISIBLE CITY (Canada)
Barry Greenwald, EXPERIMENTAL ESKIMOS (Canada)
Sarah Goodman, WHEN WE WERE BOYS (Canada)
Anna Lorentzon, Barbara Bell GRAPHIC SEXUAL HORROR (USA)
Very pleasant experience, moderator Lea Marin was well informed and had lots of specific questions about the films and the process of making them.
There was a lot of talking about how to establish and keep the delicate relationships you need with your subjects, and how to develop and keep them, and the other filmmakers had long processes of showing the film to them alone and in different groups, then discussing the things that they were uncomfortable with. Most of the subject of GSH are very happy with the film, but to this day, PD has still refused to see it. He had an employee watch it, and based on his reactions, initially decided that he wanted about half the film cut. That KGB (the metal man responsible for all those amazing contraptions) watched it later and gave a glowing review helped a little, but not that much. It is very hard to discuss a film, and what to cut out of it, with somebody that has very strong opinions, yet has not and will not watch it. The end result was that we cut one piece out and then just said that there are no legal reasons to remove anything, we have the signed releases and contracts.
And then I sit there feeling like a jerk among all these sensitive documentary filmmakers, for not being able to keep on good foot with, ok, only one of our subjects. And not loosing sleep over it. (That's me, I think Barb did) Yes, we knew all the time that PD would not be happy with anything that wasn't just about the PD world, that other people are not really allowed to have conflicting opinions on situations that he was part of. But we did somehow believe, in our happy frenzy of getting accepted at Slamdance, that he would be able to see the film as a whole.

Anyway, interviews the rest of the day, short nap that turned out a bit longer that planned, but I still made it to the filmmaker dinner.

May 6 Hot Docs

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The first screening at Hot Docs was wonderful.
As I approached the theater and saw the long line all around the corner of the building, I was wondering if there was another film playing that night. But, no, they were all there for GSH.
Today I found out that there were 800 seats in there!
Q&A was interesting as always. People were very supportive and we even had our first couple of slightly more critical questions.
Today Brendan Canty, director of Ashes of American Flags, said he felt sorry for us when people were so aggressive, but he hasn't worked with PD for 5 years. This was not aggression to us, we had been expecting so much worse. I wonder if that will ever happen.

Anna

Graphic Sexual Horror at HotDocs

>

Graphic Sexual Horror will be showing at the HotDocs film festival

May 8, 9:45pm, Innis - only rush tickets left, be there an hour before and line up for the limited amount of tickets left OR send us a nice email, we may still have one or two left.

Directors Anna Lorentzon and Barbara Bell will attend the screenings and Q&A afterwards.
Please contact either Barbara or Anna with all questions regarding HotDocs
anna@ranfilm.com
barbarabell@barbarabell.com

http://schedule.hotdocs.ca/index.php/2009/film/graphic_sexual_horror
http://www.youtube.com/watch?v=OcYJl3CxDuY&feature=channel_page

HOTDOCS

Please support us by registering and adding us to your schedule, it is free and quick.

CLICK HERE to check out our page at HotDocs!

Jan 22nd Last screening at Slamdance

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Lorelei Lee flew in for the screening.

Day 7 January 21

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Personally, I had a hangover. The Chateneaunf du Pape was the cap on several drinks with Absolut at the Queer Lounge. But Anna and I had an interview with Park City TV at 7:30. Our wake up call was a half hour late, so we rushed to get to the interview as Atom packed to catch a flight back to New York. Our interview can be viewed here:

http://parkcity.tv/wp-content/live/ [ed.note- they have had technical difficulties but please keep checking back ]

Click on January 21 and scroll down to 7 AM – Mountain Morning Show. We are at minute 33:46.

Everyone there was interested in the film (even though they weren’t able to run our trailer. . .oops, not ready for prime time). And both Anna and I are rather horrified by how we look on camera. Which is perhaps why we both prefer to be on the opposite side of the lens.

We came back to the hotel at 8:30 and went back to sleep. This was our first real day off. I worked out and went swimming while Anna went into town and watched some films at Slamdance. Later, I bussed in and talked with a couple of the Slamdance staff about the offer we received the day before. This is what is so fantastic about the Slamdance festival. It’s so much more than just having a place to screen a film. It’s about meeting other filmmakers and learning from one another. It’s about informative panels with companies that are working with all of the new digital formats, giving out information that is impossible to find elsewhere. And it’s about networking with staff and more experienced filmmakers about industry contacts, lawyers, and distributors. It’s a wonderful support system. This really is a great festival with a great staff. Artists of all kinds need a Slamdance to help them learn the ropes.

Day 6 January 20

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Inauguration Day – My View

We started the day with all of us answering e-mails – Atom working press possibilities and updating our schedule, me working on the blog, and Anna doing some guerrilla marketing. For the first time since we arrived on Friday, we turned on the TV (muted) to watch the coverage of the inauguration.

At 9:40 we ran out to catch the shuttle, arriving at Sundance headquarters just before 10:30 for a roundtable with funders and broadcasters of feature-length documentaries. Instead, every television screen in the building was turned to the inauguration as Barack Obama spoke to our nation for the first time as president. Applause, shouts of “amen,” and cheering broke out from time to time. For me, I was quite moved by his words. I teared up. Many of us have waited a very long time for a leader like Barack Obama to move us away from the greed and aggression that has informed our culture and driven our politics for decades. It was a great moment. Yet at the same time, as he called the nation to include people of all religions, even those who are not religious, and as he named all the different colors of people, calling on us to break down the boundaries, there was one glaring omission. He did not speak to the prejudice and discrimination against those of us with different sexuality. From the anti-gay campaign of Anita Bryant and the Southern Baptist Church through the harrowing years of the AIDs epidemic that gutted the gay community, to the devastating passage of Prop 8 in California, gays, lesbians, and others have been used as scapegoats in the most horrifying manner in the name of religion and conservative politics. I heard nothing in his speech that included me. Sure, I’m white. I have no religious affiliation. But I am still vulnerable to the whims and fears of people that do not recognize me as a full human being. The majority should never be able to vote on a law that would remove the rights of any minority. It is antithetical to the intent of the Constitution and the Bill of Rights.

So as the national anthem began, for the first time in my life, I did not stand up. When I am given the same rights as my fellow citizens, then I will stand.

Day 6 – Getting on with the work

OKAY! So I got that out of my system. The round table began late at Sundance, since everyone watched the inauguration. So from 11:30 to 12:45, Atom, Anna, and I split up and moved from table to table to listen to representatives from many funding agencies and broadcasters, and also to pitch our documentary to them. I spoke with POV (the PBS show) and was able to give a screening copy to both TV2 Denmark and HBO. The response was all very positive. Afterward, we were very jazzed, and at the same time drained. It’s hard to have the ON switch flipped day after day. After a lunch that took 2 hours (very slow service), we hit the Queer Lounge for our meeting with a representative from a very good company that has shown quite a lot of interest in our film. They act as a middleman between filmmakers and all the distribution platforms, somewhat like an agent. It was a heady meeting, incredibly positive. Anna and I have been discussing the distribution strategy we think would work best for Graphic Sexual Horror. And the proposed distribution deal was almost identical. So we celebrated by purchasing a vintage bottle of Chateauneuf du Pape and spending another late evening in the hot tub, not sure if we should hold our breath or breathe a sigh of relief. And Atom missed her flight home.
Karaoke on the way home in the Music TaxiKaraoke on the way home in the Music TaxiHot tub outside at night: Barb, Anna and Atom, our lovely friend-for-hireHot tub outside at night: Barb, Anna and Atom, our lovely friend-for-hire

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